Iranian cultural and civilizational ideas have been able to extend themselves from the depths of history to the present period; artistic elements are among these cultural categories. Typography is one of the most prominent and ancient manifestations of graphic art. In the past, the word typography was synonymous with the design of letters and those written works that were produced in monochrome through the process of printing and reproduction, and it was summarized in this way. But today, this term includes works that use line and image, while adhering to aesthetic principles, to create a single work that expresses information or a message. Flowers and birds are one of the emerging symbols in contemporary Iranian typography, which has its roots in Iranian art and culture. Flowers and birds are common motifs in Iranian art, dating back 4,000 years. The first association of a plant and a bird probably arose from the myth of the Simorgh, the Tree of Life. In ancient designs, Simorgh is depicted on a tree, with its feathers, tail, and various parts of its body connected to plants. The present article attempts to examine the association of the flower and bird symbol in Iranian art, especially Iranian paintings, and analyze its appearance in Iranian typography.